Three Days of the Condor

Superb Spy Thriller; Best Of Genre!
I first saw this suspense/spy thriller when it was first released in the theaters sometime in the late 1970s, while living in London and working for the American government. There's nothing that compares with the paranoia associated with seeing a taut spy thriller, only to exit the theater into a cold, foggy late evening in downtown London. The picture it paints of a murderous renegade network operating within the Central Intelligence Agency is both frightening and plausible, and is delivered by Robert Redford and his production team in a tight, well-developed tale with a convincing thread of interconnecting events that spins way out of control as the protagonist tries desperately to figure out who is at the center of the plot and why he and his cohorts at a special studies institute sponsored by the Agency are targets. For me, this movie is a nonstop roller-coaster ride, with Redford trying in vain to jump off the damn thing before it crashes below!

The level of paranoia as well...

A Post-Watergate Staple
What is it about this movie that makes it so compelling? After countless viewings, I still can't put my finger on it -- but let's consider the crucial elements of "Condor."

First, the paucity of dialogue -- in other words, what Redford displays and emotes rather than says -- is powerful. It seems that for the first time in his career, Redford is really challenged to act instead of being just another pretty cinematic face. If ever a man could give the impression of being both haunted and hunted, Redford's a cinch in "Condor."

This is also a great New York City film. Its streets, back alleys, and buildings -- in particular, the World Trade Center -- all play supporting roles. Sidney Pollack makes good use of the then-newly finished twin towers in "Condor," and this viewer lamented their destruction after watching scenes featuring the main lobby and a top-floor office inhabited by CIA deputy director Cliff Robertson.

The grainy quality of the...

A TImeless Classic
THREE DAYS OF THE CONDOR is one of the finest espionage thrillers ever filmed. But it's not just entertaining. The script is thought-provoking and reflects fears and paranoias that still pervade our country's consciousness today. Robert Redford has never been better. His character is a refreshing hero who succeeds using his brain, not his brawn or some ridiculous firepower. There are so many great supporting performances as well, including Cliff Robertson, John Houseman and Faye Dunaway (who looks simply gorgeous). Max VonSydow plays the ultimate assasin for hire, equalled only by Edward Fox's turn in THE DAY OF THE JACKAL. The film's editing is perfect and the music score (by Dave Grusin) still sounds great, (quite a feat since the music from many films of this period sound terribly dated). All in all, I consider this possibly the best example of a domestic (versus international) espionage thriller and faultless in all aspects of production. The final freeze-frame shot is...

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